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Rick estrin looking for a woman

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We use our own and third-party cookies to provide you with a better browsing experience and a more personalized service. If you go on surfing, we will consider you accepting its use. You can change the settings or obtain more information by consulting our cookie policy. With his wily and unforgettable original songs and his hipster, street-smart vocals, no one on the blues scene writes or sings like Rick Estrin. No one looks like him either, as Estrin is always dressed to the nines, sporting his trademark pencil-line mustache and pompadour hair. They deliver a high-energy show capable of bringing any audience to its feet.

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SEE VIDEO BY TOPIC: Looking For A Woman

The Masterful Harp Work of Rick Estrin (YouTube Playlist)

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I went down to North Beach and did a thing for school. I interviewed beatniks. That was cool, but the teachers were pretty appalled. I tried to fit in with the music, and I always had in mind that I was trying to play the blues.

All I wanted to do was be able to express myself in that language when I heard what moved me. For one thing, I was a novelty. I knew how to carry myself, and I always had some sense of how to fit in musically. Like I said, I never played like an asshole. I was just trying to play the stuff I heard that moved me. He was a white child in a very adult black society, an enticing world of forbidden fruit, and it beckoned him like a siren in the open sea.

It was like I was just a twisted little sucker, man. I was like, man, I wanna be just like that. The people I met were so creative in their personal style and all that stuff. Can you imagine what a boring place this would be had it not been for the African people that got kidnapped or sold and brought here? Slavery was a horrible thing, but in the end it sure benefitted our culture.

So, I never had that. I think that gave me better acceptance. Estrin got his first harmonica at 15 and by 18 he was jamming with Lowell Fulson and opening shows for Z. He played with guitarist Travis Phillips for a year in a band fronted by Fillmore Slim who was also a pimp immortalized in the film American Pimp.

It has to be natural to you. People see though that shit, you know, instinctively. This was when I was 18 years old, so I was stupid, right? I would be as far away from him as I could.

I had an uncle who was a rat pack kind of guy. He dressed slick and looked like Cary Grant, so I always tried to emulate him. That was part of me. I was too young to be able to utilize my personality like I do now. At age 19 Estrin moved to Chicago to be closer to the home of the blues. And Chicago was going to help him with that?! What happened was a couple of years earlier I had met Jerry Portnoy.

Then, he had to go back to Chicago because his father was sick. He was sitting in with The Aces and all this stuff. He was encouraging me to go there. So, when I found this girl who liked me and had this job, I got her to buy me a plane ticket.

He always could develop really exciting solos and stuff. Never mind that everybody thought singer and harp man Estrin was Charlie. It was a tradeoff. I moved up there, and I could see it was a much slower environment. They were like innocent kids that smoked weed and drank beer, and to me at that time that was just normal.

In Little Charlie decided to retire. I thought he was saying like he always said it. I had to teach people my name somehow, you know? It shows that even a lazy fucker like me, man, can get off his ass when he has to. Hansen wanted to keep the band going.

He was a little more reserved with Charlie Musselwhite than he is with us. He can play his ass off. Anyway, he called me up about something else right after Little Charlie quit, and we were talking, and he said he had left Charlie Musselwhite. So, it was serendipitous. It was perfect. It was just perfect. Bruce came and saw the band.

There are certain white guys like Dr. Live CD. Rodger was a soul singer and a rock and roll singer and an all-around entertainer. He could sing. He could dance and write songs, play guitar. Stuff like that really tripped me out, and I love that as far as being able to write songs that tell a story. Lonnie Mack was kind of underappreciated. He has a philosophy degree from Berkeley and studied religion in India. He really is. He was 17 and living by himself and back packing in India.

You know? He could play old school s Chicago blues, and then later on he got a pretty funky band, that band with Matt Murphy and his harp playing in that type of group he was modern and totally traditional at the same time. Those guys play the same stuff over more modern beats, and it would work. It lends itself to transcendence all the time — you know, stylistic changes of time.

I go into my old Cotton bag. It was very clear in my mind. I got this idea that I wanted to be able to scare people. It was so awesome in the true sense of the word, you know. He was like. I got no hobbies. My job? I got a job being myself.

And I love the results. I believe once your prime reproductive years are over, mother nature starts trying to kill your ass in all kinds of different ways. You earned it. Please follow and like us:. Previous Post Previous Issue July 20,

Rick Estrin looking -- and sounding -- as good as ever

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Estrin was kind enough to talk to us by phone. Kevin Porter: Thanks for taking the time. I want to congratulate you on the new record, Contemporary.

Groovin' In Greaseland. Alligator Records. By Mark Thompson. After nine Alligator albums with his former partner, guitarist Little Charlie Baty, and three as the frontman for the Nightcats, the only question is whether or not Estrin can once again come up with a noteworthy batch of original material. A quick listen reveals that, once again, the songwriter has come through with a winning hand.

KZFR presents Rick Estrin & The Nightcats

I went down to North Beach and did a thing for school. I interviewed beatniks. That was cool, but the teachers were pretty appalled. I tried to fit in with the music, and I always had in mind that I was trying to play the blues. All I wanted to do was be able to express myself in that language when I heard what moved me. For one thing, I was a novelty. I knew how to carry myself, and I always had some sense of how to fit in musically. Like I said, I never played like an asshole. I was just trying to play the stuff I heard that moved me. He was a white child in a very adult black society, an enticing world of forbidden fruit, and it beckoned him like a siren in the open sea.

Featured Interview – Rick Estrin

Anybody who has listened to Rick Estrin over the past few decades already knows that this man is perhaps the most witty songwriter in the blues. He has a gifted craft for spinning words that are humorous and stinging, full of wit. The bass licks are handled by various players including Joe Kyle Jr on half a dozen tracks, Jerry Jemmott and Kid Andersen covering three apiece and Robby Yamilov on one. It is very fortunate for the band to have Andersen as a key member as he is also the owner, producer, mixer, engineer, multi-instrumentalist, dish-washer, and all-around do-it-all guy at one of the finest recording studios going, Greaseland Studios in San Jose.

You got that sound, boy!

They began touring in the United States and internationally. Handy Award for Song of the Year. In early , Baty announced he was entering "soft" retirement and no longer toured with the band, except for reunion tours and shows in Europe and select North American festivals. Andersen had backed Charlie Musselwhite and Terry Hanck , [4] and had fronted his own band.

Interview with Award-winning Bluesman Rick Estrin

Rick Estrin and his band The Nightcats topped the list with eight nominations! Voting is now open to current members of the Foundation. Once you join or renew, you will receive a link to your BMA ballot.

The Mannish Boys. John Nemeth. William Clarke. Studebaker John. Big Time.

Rick Estrin

Bad romance. Money troubles. Crooked politicians and bad preachers. And that is all on just the first track! From there the band looks at living without respect," Dissed Again", explores the perils of opening your heart to the scoundrels and charlatans of the world, "Tender Hearted", reflects on the bad mistakes and choices that have lead up to "Another Lonesome Day", relishes the toll the ravages of time will take on a woman who pretended to be a lover but was only a user, "Hands of Time", laments about the drag of barely making ends meet, "Living Hand to Mouth", and delves more deeply into lost love, "Looking For a Woman", where Estrin comically tries to pass off heartbreak by noting it is no big deal because he was looking for a woman when he found the one that just ditched him. As is usually the case with Estrin, a good number of the lyrics take on sober subjects with snarky, wise-guy wit.

Apr 9, - But you'll also hear stinging solos on Looking For A Woman and the Peter Green-aping ballad, Tender Hearted. Dissed Again tells the “story of.

Но Беккер не слушал, что тот. Он рассчитал все. Рука консьержа только что покинула ячейку под номером 301. Беккер поблагодарил его и быстро зашагал, ища глазами лифт.

SLO Blues Society presents, Rick Estrin and the Nightcats

В воздухе стоял тяжелый запах мочи. Лампочки в конце коридора не горели, и на протяжении последних двадцати метров можно было различать только смутные силуэты. Женщина с кровотечением… плачущая молодая пара… молящаяся маленькая девочка.

Looking for a Woman Lyrics - Rick Estrin

Сьюзан от изумления застыла с открытым ртом. Она посмотрела на часы, потом на Стратмора. - Все еще не взломан.

Он двигался методично, обходя один ряд за другим. Наверху лениво раскачивалась курильница, описывая широкую дугу.

Мостовая стремительно убегала назад в нескольких дюймах внизу. Он окончательно протрезвел. Ноги и плечо ныли от боли. Беккер с трудом поднялся на ноги, выпрямился и заглянул в темное нутро салона.

Танкадо хотел спасти наш банк данных, - говорила она.  - А мы так и не узнаем, как это сделать. - Захватчики у ворот. Джабба взглянул на экран. - Вот и все! - По его лицу стекали ручейки пота.

Последняя защитная стенка на центральном экране почти совсем исчезла. Черные линии, сбившись в кучу вокруг ядра, настолько сгустились, что их масса стала совсем непрозрачной и легонько подрагивала.

Он, как обычно, записал имена жертв. Контакты на кончиках пальцев замкнулись, и на линзах очков, подобно бестелесным духам, замелькали буквы. ОБЪЕКТ: РОСИО ЕВА ГРАНАДА - ЛИКВИДИРОВАНА ОБЪЕКТ: ГАНС ХУБЕР - ЛИКВИДИРОВАН Тремя этажами ниже Дэвид Беккер заплатил по счету и со стаканом в руке направился через холл на открытую террасу гостиницы.

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